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Arion, disc 1▶The Prophet▶Arion, disc 2▶Demon▶
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Arion: Pushkin SongsThe Prophet: Lermontov SongsDemon1998 Demo Disc
Tatiana KuinjiNikolay DorozhkinSergey ChechyotkoRufina James, Tyler Lincoln
Moscow Concert [temporarily disabled]Arion Rehearsals [temporarily disabled]
Demon (Alexander Pushkin)The Faded Joy... (A.Pushkin)A Dream (M.Lermontov)
Russian Poetry
Samples from the book: Опыты в стихах
Articles & Reviews
Articles & Essays▶Reviews▶
A Fitting Trade for a MisfitMy Take on Current Situation in MusicVisit to Jack VanceFrance is a Great CountryStarr Wars StampsOn TranslationЧто наша жизнь? Икра!
Mozart - Don Giovanni / Furtwangler (DVD)Taking Sides (DVD)Lurulu; Ports of Call - by Jack VanceBaraka (DVD)
StampsRussian Translation
Russian Translation ServiceAlexander Feht ResumeCurrent Translation Rates
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Audio Samples: DEMON

DemonDEMON

Nikolay Dorozhkin (tenor), Sergey Chechyotko (piano)

Demon

I Come out Alone...

A Dream

O Nott, o Dolce Tempo

A Vittoria Colonna

Ozymandias




Review from Amazon.com
Lovely lyrical art songs, July 14, 2001
Reviewer: Alejandra Vernon

These 17 art songs by Alexander Feht are melodic beautiful pieces...and though some of the compositions are quite complex, they land on my ears with pleasant ease. 8 are in Russian, 3 in Italian, and 6 in English.

Nikolay Dorozhkin, who sings the first 15 songs, has a powerful tenor voice...though I wouldn't describe it as having a "smooth" sound, it's robust and extremely expressive, with an outstanding range. Track 16 is sung by Rufina James, a fine soprano with rich deep tones. Sergey Chechetko's piano accompaniment is excellent, with a terrific technique that however always is in balance, giving the singer center stage.

The final track is "Ozymandias", the poem by P.B.Shelley, and is sung by the composer. As the insert states: "...for those who would be interested in hearing his voice, though the composer readily admits that he is not a professional singer"...and I certainly was interested...he doesn't possess a big voice, but the interpretation of his own composition is wonderful.

The insert contains the English text of all the songs, bios of the artists, and some comments by Mr. Feht on the state of music today that I think most accurate, and that applies to the condition of most of the arts.
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